The Representation of Prophet Muhammad as Rahmatun Lil’ālamīn (A Study of Riffaterre Semiotics in Song Lyrics by Maher Zain)

  • Adib Alfalah Universitas Pendidikan Indonesia
    (ID)
  • Asep Sopian Universitas Pendidikan Indonesia
    (ID)
  • Yayan Nurbayan Universitas Pendidikan Indonesia
    (ID)
  • Nunung Nursyamsiah Universitas Pendidikan Indonesia
    (ID)
Keywords: Semiotic of Riffaterre, Rahmatun Lil’Alameen, Maher Zain

Abstract

The purpose of this research is to use Michael Riffaterre's semiotic theory to analyse the meaning of the lyrics of the Rahmatun Lil'Alameen song. This is a descriptive-qualitative study. The researchers used techniques such as observing and taking notes. The lyrics to the Rahamatun Lil'Alameen song were obtained from Maher Zain's YouTube channel. The researchers also distributed a Likert scale questionnaire to 30 respondents to determine how well people understood the meaning and impression of Rahmatun Lil'Alameen's song lyrics. The findings of this study are as follows: 1) indirectness of expression includes (a) meaning substitution dominated by metaphorical figurative language, (b) meaning distortion in the form of ambiguity, and (c) the creation of meaning through rhymes, enjambments, and typography that enhance the visual presentation of the verses, 2) Heuristic reading was followed by hermeneutic reading, which described the prophet Muhammad Saw.'s presence as a role model and mercy to all nature, which is imprinted through his compassion and praiseworthy morals. 3) Prophet Muhammad Saw., model: mercy to all creation and blessings on the prophet, as well as variants that run throughout the verses 4) Potential and actual hypograms found in the Qur'an and Hadith that are intertextual.

مستخلص

يهدف هذا البحث إلى تحليل معنى كلمات الأغنية "رحمة للعالمين" باستخدام نظرية السيميائية لمايكل ريفاتير. من خلال الدراسية الوصفية النوعية. وفي جمع البيانات، استخدم الباحثون تقنيات السماعي والكتابي. ومصدر البيانات الأساسي هو كلمات الأغنية "رحمة للعالمين" التي تم الحصول عليها من قناة ماهر زين على اليوتيوب. وزع الباحثون أيضا استبيانا بمقياس ليكرت على ثلاثين مستجيبا لمعرفة شعور المجتمع في فهم معنى وانطباع كلمات الأغنية "رحمة للعالمين". ونتائج البحث كما يلي: ١) تتضمن اللامبالاة في التعبير (أ) استبدال المعنى الذي تهيمن عليه اللغة التصويرية المجازية، (ب) تشويه المعنى في شكل الغموض، (ج) خلق المعنى بالسجع، والقوافي، و الطباعة التي تجمل الأشعار ،٢) القراءة الإرشادية  والقراءة التفسيرية  التي تصف شخصية النبي محمد صلى الله عليه وسلم كنموذج يحتذى به ورحمة للعالمين التي تم توصيفها من خلال شفقته وأخلاقه الكريمة، ٣) المصفوفة: النبي محمد صلى الله عليه وسلم، نموذج: رحمة للعالمين والصلاة على النبي صلى الله عليه وسلم، والمتغيرات التي تنتشر في جميع أنحاء المقاطع، ٤) الرسوم التوضيحية المحتملة والفعلية المتوافقة مع القرآن والحديث.

الكلمات المفتاحية: السيميائية لريفاتير؛ رحمة للعالمين؛ ماهر زين

Downloads

Download data is not yet available.

Author Biographies

Adib Alfalah, Universitas Pendidikan Indonesia

Mahasiswa Magister Pendidikan Bahasa Arab Universitas Pendidikan Indonesia

Asep Sopian, Universitas Pendidikan Indonesia

Dosen Magister Pendidikan Bahasa Arab Universitas Pendidikan Indonesia

Doktor

Yayan Nurbayan, Universitas Pendidikan Indonesia

Dosen sekaligus Ketua Prodi Pendidikan Bahasa Arab S1 dan S2 Universitas Pendidikan Indonesia

Profesor

References

Ainin, Moh, Metodologi Penelitian Bahasa Arab (Malang: Hilal Pustaka, 2010)

Aisyah, Siti, and Noor Indah Wulandari, ‘Ketidaklangsungan Ekspresi Dalam Kumpulan Puisi Manusia Istana Karya Radhar Panca Dahana (Kajian Stilistika)’, STILISTIKA: Jurnal Bahasa, Sastra, Dan Pengajarannya, 1.2 (2016), 114–22 <https://doi.org/10.33654/sti.v1i2.359>

Akastangga, Muhammad Dedad Bisaraguna, ‘Syair Al-Hikmah wa Al-Mauidzoh Fi Diwan Mahmud al-Warraq (Analisis Semiotika Riffaterre)’, Penaoq Jurnal Sastra Budaya Dan Pariwisata, 1.1 (2020), 19–32 <https://doi.org/https://doi.org/10.51673/penaoq.v1i1.242>

Alfalah, Adib, ‘Semiotika dalam Lirik Lagu “Al Barq Al Yamani” Oleh Nissa Sabyan Dan Adam Ali’ (Universitas Negeri Semarang, 2021)

Alfalah, Adib, Singgih Kuswardono, and Retno Purnama Irawati, ‘Semiotika dalam Lirik Lagu “Al Barq Al Yamani” Oleh Nissa Sabyan Dan Adam Ali’, Lisanul Arab, 10.2 (2021), 59–73 <http://journal.unnes.ac.id/sju/index.php/laa>

Ameliana, Siska, ‘Analisis Semiotik Saussure pada Lagu Tasna’ul Mustahil dan Konsep Pembelajaran Mufrodat bagi Siswa Madrasah Aliyah’ (UIN Prof. K.H. Saifuddin Zuhri Purwokerto, 2022)

Arif, Muhammad Khairan, ‘Islam Rahmatan Lil Alamin From Social and Cultural Perspective’, Al-Risalah, 12.2 (2021), 169–86 <https://doi.org/10.34005/alrisalah.v12i2.1376>

Arifiany, Wulan, ‘Analisis Semiotika Michaele Riffatarre pada Puisi Fī Bilādiy Lā Ihtirāma Lilfaqīri Karya Anis Syausan’, ’A Jamiy, 11.2 (2022), 454–63 <https://doi.org/10.31314/ajamiy.11.2.454-463.2022>

Arikunto, Suharsimi, Manajemen Penelitian, 7th edn (Jakarta: PT. Rineka Cipta, 2005)

Asriningsari, Amabarini, and Nazia Maharani Umaya, Semiotika Teori dan Aplikasi Pada Karya Sastra (IKIP PGRI Semarang Press, 2010)

Dwipayanti, Ni Kadek, Ayu Kris Utari Dewi Alit Mandala, and Putu Tiara Karunia Dewi, ‘Analisis Semiotika Riffaterre dalam Lagu Sakura Karya Naotaro Moriyama’, Jurnal Pendidikan Bahasa Jepang Undiksha, 7.2 (2021), 139 <https://doi.org/10.23887/jpbj.v7i2.34461>

Firdaus, ‘Kajian Semiotik pada Ayat Wa Mā ’Arsalnāka ’Illa RaḤmatan Lil ‘Ālamīn (QS: Al “Anbiyā”:107)’, Asy Syukriyyah, 20.1 (2019), 66–85

Gemilang, Cyntia Dewi Putri, ‘Semiotika Riffaterre dalam Puisi “Qabla an Numdhi” Karya Faruq Juwaidah’, ’A Jamiy:Jurnal Bahasa Dan Sastra Arab, 11.2 (2022), 473–85 <https://doi.org/10.31314/ajamiy.11.2.473-485.2022>

Hasanah, Aan, ‘Semiotika Riffaterre Puisi “Bunda Padi” Karya Al Iman dan Relevansinya dalam Pembelajaran Sastra’, Semantik, 7.2 (2018) <https://doi.org/10.22460/semantik.vXiX.XXX>

Hayati, Nur, ‘Pesan Kehidupan dalam Lirik Lagu Shalawat Bahasa Jawa’, SHAHIH: Journal of Islamicate Multidisciplinary, 3.1 (2018), 21–32 <https://doi.org/10.22515/shahih.v3i1.1018>

Hosen, Muhammad, ‘Pesan Religi pada Lirik Lagu Cinta (Analisis Semiotika Riffaterre Pada Lagu Populer Karya Grup Band Letto)’, Pwitra Komunika, 1.1 (2020), 1–18

Lukman, ‘Tafsir Ayat Rahmatan Lil ’Alamin menurut Penafsir Ahlu Sunnah, Muktazilah, Syiah, dan Wahabi’, Millah: Journal of Religious Studies, 15.2 (2016), 228–48 <https://doi.org/https://doi.org/10.20885/millah.vol15.iss2.art3>

Maulana, Luthfi, ‘Semiotika Michael Riffaterre (Analisis Pembacaan Heuristik-Hermeneutik atas QS. Ali Imran (3): 14)’, Qof, 3.1 (2019), 67–78

Millah, S, and M D B Akastangga, ‘Syair Tumitu wa Tuhyiyu fi Diwan Al-Akhthal (Kajian Semiotika Riffaterre)’, Jurnal Sastra, Budaya Dan Pariwisata, 1.1 (2020), 33–42 <http://ejournal.unwmataram.ac.id/penq/article/view/246%0Ahttp://ejournal.unwmataram.ac.id/penq/article/download/246/144>

Nailarrochim, Noor, ‘Puisi Al-Kulira Karya Nazik Al-Malaikah (Studi Analisis Semiotika Michael Riffaterre)’, ’A Jamiy: Jurnal Bahasa Dan Sastra Arab, 9.2 (2020), 225–38

Noviana, Fajria, and Akhmad Saifudin, ‘Pemaknaan Lirik Lagu Shabondama Karya Ujo Noguchi berdasarkan Analisis Semiotika Michael Riffaterre’, Japanese Research on Linguistics, Literature, and Culture, 2.2 (2020), 143–60 <https://doi.org/10.33633/jr.v2i2.3978>

‘NU Online Beranda Islam Indonesia’, 2021

Purwaningsih, Ade, and Sri Oemiati, ‘Semiotika Riffaterre dalam Lagu Pale Blue Karya Kenshi Yonezu’, in Seminar Bahasa, Sastra Dan Pengajarannya(PEDALITRA I) Penguatan Literasi Melalui Pengajaran Bahasa Dan Sastra, 2021, pp. 52–58

Riffaterre, Michael, Semiotics of Poetry (London, 1978)

Saputra, Triana Wakhyu, ‘Makna Lirik Lagu Aimer dalam Album Penny Rain ( Kajian Semiotika Riffaterre )’ (Universitas Diponegoro, 2020)

Sopian, Asep, Ucu Siti Shafa Zakiah, and Al-Rawafi Abdulkhaleq, ‘Analysis of Pierce’s Semiotic Perspective in the Terminology of Nahwu’, Izdihar : Journal of Arabic Language Teaching, Linguistics, and Literature, 5.2 (2022), 117–34 <https://doi.org/10.22219/jiz.v5i2.17238>

Tarasti, Eero, ‘Metaphors, Semiotics and Futures Studies’, Futures, 84 (2016), 120–23 <https://doi.org/10.1016/j.futures.2016.04.003>

Umairoh, Sherly Ulfa, ‘Analisis Semiotika Charles Morris dalam Lagu Sayyidi Ar-Rais Karya Hama Meshary Hamada’, Tabuah, 26.1 (2022), 40–47 <https://doi.org/10.37108/tabuah.v26i1.683>

Published
2023-06-30
How to Cite
Alfalah, A., Sopian, A., Nurbayan, Y., & Nursyamsiah, N. (2023). The Representation of Prophet Muhammad as Rahmatun Lil’ālamīn (A Study of Riffaterre Semiotics in Song Lyrics by Maher Zain). Diwan: Jurnal Bahasa Dan Sastra Arab, 9(1), 120-140. https://doi.org/10.24252/diwan.v9i1.37275
Abstract viewed = 504 times