SLOWLY BUT SURELY: THE MATERNAL PHASE OF SYLVIA PLATH IN HER LATE POEM
Abstract
Being a mother is the most exclusive experience that only women experience. For centuries, women were forced to accept the dogma that motherhood is a wonderful experience. Silvia Plath, one of the female poets who dared to express her original experience of being a mother without having to follow the language of patriarchal literature. The Gynocritic approach is applied because it places the female voice as the single most original voice for the experience of motherhood without patriarchal interference. Several selected poems at the end of life from Silvia Plath were used as a source of research data. Research findings show that Plath had considerable difficulty in adapting to being a mother. Whatever experience Plath has, or any mother, is an exclusive wealth that should only be owned and shared by women.
Downloads
References
Barai, A. (2016). Speaking the space between mother and child: Sylvia Plath, Julia kristeva, and the place of children’s literature. In Space and Place in Children’s Literature, 1789 to the Present (pp. 55–70). Routledge.
Butscher, E. (2003). Sylvia Plath: Method and madness. Tucson, AZ: Schaffner Press.
Christodoulides, N. J. (2005). Out of the cradle endlessly rocking: Motherhood in Sylvia plath’s work. Leiden, Netherlands: Editions Rodopi B.V.
Cosslett, T. (1994). Women writing childbirth: Modern discourses of motherhood. Manchester, England: Manchester University Press.
Gill, J. (Ed.). (2006). Cambridge companions to literature: The Cambridge companion to Sylvia Plath. Cambridge, England: Cambridge University Press.
Given, L. M. (Ed.). (2012). The SAGE encyclopedia of qualitative research methods. Thousand Oaks, CA: SAGE Publications.
Holbrook, D. (2013). Sylvia Plath: Poetry and existence. London, England: Bloomsbury Academic.
Kendall, T. (2001). Sylvia Plath: A critical guide. London, England: Faber & Faber.
Kirk, C. A. (2004). Sylvia Plath: A Biography. Westport, CT: Greenwood Press.
Moosavinia, S. R., & Mazloumian, S. (2018). The language of pregnancy in Sylvia Plath’s METAPHORS. The Explicator, 76(3), 146–149. doi:10.1080/00144940.2018.1489768
Naylor-Smith, W. (2013). Refiguring Women: Metaphor, Metonymy, and Identity in Plath’s Confessional Poetry. Plath Profiles, 6, 319–328.
Plath, S., & Hughes, T. (1981). Collected poems: Sylvia Plath. Turtleback Books.
Rose. (1992). The haunting of Sylvia Plath. London, England: Harvard University Press.
Ruiz, J. J. M. (2016). Sylvia Plath’s Motherhood Poetry: Conflicting Perspectives ( Universidad de Valladolid, Valladolid). Retrieved from http://uvadoc.uva.es/handle/10324/18918
Saldana, J. (2011). Fundamentals of qualitative research. New York, NY: Oxford University Press.
Showalter, E. (1978). A literature of their own: British women novelists from Bronte to lessing. Berkeley, CA: University of California Press.
Souffrant, L. (2010). Mother delivers experiment: Poetry of motherhood: Plath, derricotte, Zucker, and Holbrook. WSQ Women s Studies Quarterly, 37(2), 25–41. doi:10.1353/wsq.0.0198
Stevenson, A. (1989). Bitter fame: A life of Sylvia Plath. Houghton Mifflin.
Wagner-Martin, L. (1999). Sylvia Plath: A literary life (1st ed.). Basingstoke, England: Palgrave Macmillan.
Copyright (c) 2022 Muhammad Adek
This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.
Once an article was published in the journal, the author(s) are:
granted to the journal right licensed under Creative Commons License Attribution that allows others to share the work with an acknowledgement of the work's authorship.
permitted to publish their work online in third parties as it can lead wider dissemination of the work.
continue to be the copyright owner and allow the journal to publish the article with the CC BY-NC-SA 4.0 license
receiving a DOI (Digital Object Identifier) of the work.