ANTAGONISTIC KINDNESS IN CHARLOTTE PERKINS GILMAN’S “THE YELLOW WALLPAPER”
Abstrak
Artikel ini menggambarkan sikap John dalam mengobati depresi saraf istrinya dalam “The Yellow Wallpaper” karya Charlotte Perkins Gilman. Perawatan itu seharusnya membantu si istri menjadi lebih baik. Namun, dia berakhir dengan gangguan mental yang lebih parah. Para penulis berpendapat bahwa sikap John terhadap istrinya yang sakit-sakitan inilah yang disebut kebaikan antagonis. Penelitian ini menggunakan metode deskriptif kualitatif melalui perspektif kritik sastra feminis. Karena narator adalah istri, data diambil dari penjelasan si istri tentang tindakan dan ucapan John terhadapnya selama perlakuan khusus di vila sewaan. Pikiran istri tentang John juga menjadi data penting untuk menunjukkan perilaku John yang manipulatif dan mendikte. Penelitian menunjukkan bahwa sikap John mewujudkan kebaikan antagonis yang diwujudkan dalam dua tindakan atau keputusan kebaikan yang kejam, termasuk manipulasi psikologis dan dikte terhadap istrinya. John terus mengatakan bahwa semua perawatan adalah demi si istri, namun, dia mengatakan hal seperti itu untuk membuat si istri merasa bersalah karena menjadi beban. Selain itu, John menjadwalkan kegiatan sehari-hari istrinya, mencegahnya melakukan sesuatu di luar kendalinya. Dia tidak pernah mendengarkan apa yang diinginkan atau dirasakan istrinya, sehingga memperburuk kondisi psikologis si istri. Para penulis lebih lanjut berpendapat bahwa John menunjukkan apa yang disebut kebaikan antagonis untuk mempertahankan reputasinya sebagai dokter terkemuka dan terus mendominasi istrinya sebagai miliknya. Dengan demikian, temuan ini dapat membantu pembaca menyadari segala bentuk kebaikan yang memusuhi dan memanipulasi mereka secara psikologis.
##plugins.generic.usageStats.downloads##
Referensi
Alajlan, A., & Aljohani, F. (2019). The awakening of female consciousness in Kate Chopin’s The Story of an Hour (1894) and Charlotte Perkins Gilman’s The Yellow Wallpaper (1892). Arab World English Journal for Translation and Literary Studies, 3(3), 123–139. https://doi.org/10.31235/osf.io/3ckn9
Austin, E. J., Farrelly, D., Black, C., & Moore, H. (2007). Emotional intelligence, Machiavellianism and emotional manipulation: Does EI have a dark side? Personality and Individual Differences, 43(2007), 179–189. https://doi.org/10.1016/j.paid.2006.11.019
Bacon, A. M., & Regan, L. (2016). Manipulative relational behavior and delinquency: Sex differences and links with emotional intelligence. The Journal of Forensic Psychiatry & Psychology, 27(3), 331–348. https://doi.org/10.1080/14789949.2015.1134625
Barnet, S., Burto, W., & Cain, W. E. (2008). An introduction to literature: Fiction, poetry, and drama (15th ed.). Pearson Longman.
Beauvoir, S. de. (1953). The second sex (H. M. Parshley (ed.)). Jonathan Cape.
Bowden, K. (2018). Depression and the fairer sex: “The Yellow Wallpaper” as a reaction to gendered psychiatry. In G. Fraser (Ed.), ENGL 4384: Senior Seminar Student Anthology (pp. 25–37). UWG Publications and Printing.
Dobie, A. B. (2012). Theory into practice: An introduction to literary criticism (3rd ed.). Wadsworth.
Friedan, B. (2001). The feminine mystique. W. W. Norton & Company, Inc.
Ghandeharion, A., & Mazari, M. (2016). Women entrapment and flight in Gilman’s “The Yellow Wallpaper.” Alicante Journal of English Studies, 29(2016), 113–129. http://rua.ua.es/dspace/handle/10045/68029
Gilbert, S. M., & Gubar, S. (2000). The madwoman in the attic: The woman writer and the nineteenth-century literary imagination (2nd ed.). Yale University Press.
Gilman, C. P. (2008). The Yellow Wallpaper. In S. Barnet, W. Burton, & W. E.Cain (Eds.), An Introduction to Literature Fiction, Poetry, and Drama (15th ed.). Pearson Longman.
Grieve, R. (2011). Mirror mirror: The role of self-monitoring and sincerity in emotional manipulation. Personality and Individual Differences, 51(2011), 981–985. https://doi.org/10.1016/j.paid.2011.08.004
Grieve, R., March, E., & Van Doorn, G. (2019). Masculinity might be more toxic than we think: The influence of gender roles on trait emotional manipulation. Personality and Individual Differences, 138(July 2018), 157–162. https://doi.org/10.1016/j.paid.2018.09.042
Guerin, W. L., Labor, E., Morgan, L., & Willingham, J. R. (2005). A handbook of critical approaches to literature. Oxford University Press.
Guo, R. (2019). Brief analysis of feminist literary criticism. 2018 International Workshop on Education Reform and Social Sciences (ERSS 2018), 453–456. https://doi.org/10.2991/ERSS-18.2019.91
Hyde, J., & Grieve, R. (2018). The dark side of emotion at work: Emotional manipulation in everyday and workplace contexts. Personality and Individual Differences, 129(2018), 108–113. https://doi.org/10.1016/j.paid.2018.03.025
Hyde, J., Grieve, R., Norris, K., & Kemp, N. (2020). The dark side of emotional intelligence: The role of gender and the Dark Triad in emotional manipulation at work. Australian Journal of Psychology, 72(4), 307–317. https://doi.org/https://doi.org/10.1111/ajpy.12294
Juhana, J., Qalbi, N., & Arfani, S. (2021). Gender inequality in the novel “Death of an Ex-Minister” by Nawal El Saadawi. Eralingua: Jurnal Pendidikan Bahasa Asing Dan Sastra, 5(1), 107–119. https://doi.org/http://dx.doi.org/10.26858/eralingua.v5i1.12543
Kantharia, M. (2020). Psychoanalytic approach of Mental illness in Perkin’s “The Yellow Wallpaper.” International Journal of Advances in Social Sciences, 8(1), 1–4. https://doi.org/10.5958/2454-2679.2020.00001.8
Kecsöová, D. (2019). “And now, speak:” Emotional manipulation in The taming of the shrew, The winter’s tale, and Macbeth. In New Faces (halshs-02324677, version 1; New Faces Erasmus+ Programme). https://halshs.archives-ouvertes.fr/NEW-FACES/halshs-02324677
Khellaoui, A., & Mazri, M. (2019). Comparative study of gender roles: Feminine representation in Kate Chopin’s The Story of an Hour and Charlotte Perkins Gilman’s The Yellow Wallpaper. Kasdi Merbah University.
Mínguez, M. T. G. (2014). Charlotte Perkins Gilman’s ‘The Yellow Wallpaper’: On how female creativity combats madness and domestic oppression. Babel – AFIAL : Aspectos de Filoloxía Inglesa e Alemá, 23(2014), 51–70. http://revistas.webs.uvigo.es/index.php/AFIAL/article/view/289
Nirwinastu, D. G. (2021). Oppression towards women as depicted in Marge Piercy’s selected poems. Journal of Language and Literature, 21(2), 453–463. https://doi.org/10.24071/JOLL.V21I2.3772
Poitras, I. E. (2020). The method in the madwoman: Functions of female madness and feminized liminality in Jane Eyre, Wuthering Heights, and “The Yellow Wallpaper” (Issue May) [State University of New York]. https://search.proquest.com/docview/2415860411
Raouf, C. G. (2014). Patriarchy’s control on the narrator in Charlotte Perkins Gilman’s The Yellow Wallpaper. Research Journal of English Language and LIterature, 2(2), 157–162.
Saha, O. (2019). Mad monster(ress): Hysteria in women in “The Yellow Wallpaper” and Hedda Gabler. Literary Herald, 4(5), 24–31. www.TLHjournal.com
Saputri, S. M. D., & Neisya, N. (2021). Woman’s struggle towards stereotypes in The case of the missing marquess: An Enola holmes mystery. English and Literature Journal, 8(2), 54–65. https://doi.org/10.24252/10.24252/ELITE.V8I2A5
Schultz, D. G. (2020). “She is finally free”: An analysis on women’s pathologized oppression and the reclamation of the abject in “The Yellow Wallpaper” and Midsommar. State University of New York.
Truncyte, M. (2020). The true cost of womanhood: A study of women’s mental health in Charlotte Perkins Gilman’s “The Yellow Wallpaper” and Sylvia Plath’s The Bell Jar [Lund Unoversity]. http://lup.lub.lu.se/student-papers/record/9003385
Wilson, K. (1997). Short stories for students (K. Wilson (ed.)). Gale Research.
##submission.copyrightStatement##
##submission.license.cc.by-nc-sa4.footer##Once an article was published in the journal, the author(s) are:
granted to the journal right licensed under Creative Commons License Attribution that allows others to share the work with an acknowledgement of the work's authorship.
permitted to publish their work online in third parties as it can lead wider dissemination of the work.
continue to be the copyright owner and allow the journal to publish the article with the CC BY-NC-SA 4.0 license
receiving a DOI (Digital Object Identifier) of the work.
